The drums, the drums… and the dark… and the disregard for whether or not I look good. The freedom of anonymity and the safety of my beloved’s happy gaze.
I watch the drunk girl with her Ke$ha posturing and the guy who grinds on her in of-all-things-to-wear-to-the-club, really, pajama pants and it all seems so staged and fake and Jersey Shore-sad and desperate but maybe beautiful because of that… and good for you, pajama pants and all, because even the lamest among us long to be loved.
For years I danced almost every weekend, a blur of big, ravey Jncos and glittery makeup and shady boys with shady intentions and jungle and drum n bass and happy hardcore. As much as it was about the hormones and the alcohol, it was also about the freedom of being young and wild and beautiful (though I never really felt that way) and reckless.
And maybe even more, it was about the freedom from constant self-consciousness and fear of judgment, the two things that have been bearing down on me for my whole life right up to this very day.
And then like a needle scratching across the vinyl, I stopped. I got it into my head that the way I danced attracted the wrong kind of attention, that I could just walk away from it, that it wasn’t grown-up or ladylike or Christian or whatever.
That’s so much crap.
I think it’s true that faith can be tremendously liberating – it has been for me in many ways. But just as often, we find ways to use faith as a convenient excuse to reinforce our pre-existing insecurities or fears or prejudices or politics. I am as guilty of this as anyone.
And saying that I wasn’t going to dance anymore because it wasn’t ladylike or Christian or grown-up was convenient and sounded better to me than the truth, which was closer to “I’ve gained some weight and my body is changing and I’m mostly afraid of looking ridiculous and I never really learned how to do this sober in a way that feels natural.”
I’ve been slowly, meanderingly reading the book of John since Christmas, grappling once again with what it means that God showed up with a body, that the Word became flesh.
Not took on flesh.
Not pure light-and-spirit putting on awkward, clumsy body like an ill-fitting, unfortunate coat.
But became flesh –
- and what that says about God’s regard for human bodies, human bodies being us – because I still have trouble reconciling “I am a body” rather than “I have a body.”
Because if I confess that the clearest and truest truth about God is not words on paper or a vague and nebulous sense of Spirit but Jesus the man with skin and teeth and glands and maybe even parts that jiggled and sagged, then I can no longer hide behind the idea that somehow crawled into my head that God disapproves of bodies or God doesn’t want me to dance, because a God who became flesh surely didn’t mean for us to sit primly in the bleachers until we could be tidily spirited away to heaven, gazing as the dancers float across the floor, the way I spent entirely too many Friday nights in junior high. Longing to be down there, waiting desperately for an invitation instead of simply joining in or God-forbid getting out of my head long enough to notice that there were kids who felt even more left out than me and extending an invitation of my own.
I still struggle with feeling awkward when I dance. Part is being sober. Part is the echo of years of American-Christian-Puritianism and Midwestern-Norwegian stoic culture. Part is that my body doesn’t move quite the same at 33 as it did at 18, so I have to find new movements.
But I can lose myself in the rhythm for whole minutes at a time.
I find things I can express and ways to be for which words are inadequate.
And I feel a kinship with the others who have also dared to step onto the floor, also awkward, also imperfect, but drawn to the drums and the dark, and I think to myself, “I won’t judge if you won’t, or at least I’ll try not to, and for just this little while I'll try not judge myself either.”
And in the movement the Spirit that dwells within finds its freedom to fly so much more than when I held it safely in my hands from the sidelines.
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